Lummox author Fannie Hurst review ´ 109


Lummox author Fannie Hurst

summary Lummox author Fannie Hurst

Paid American writers along with Booth Tarkington Hurst also actively supported a number of social causes including feminism African American euality and New Deal programs Although her novels including Lummox 1923 Back Street 1931 and Imitation of Life 1933 lost popularity over time and as of the 2000s were mostly out of print they were bestsellers when first published and were translated into many languages Wikipedi Some unnecessary plot contrivances aside this is a remarkable novel that deserves to be read and celebrated as than just a dated sentimental tale Bertha is a character with the curious enduring power to exalt us It is not just her noble almost maddening outward euanimity that's so powerful; her yearning and her sensuousness beat against her hulking exterior in ways that nearly all readers can relate to And Hurst's writing is full of ringing metaphors and resonant phrases eg a head shaped like an egg would taste if it came out of your mouth whole is one of my favorites but there are many others She works with the insideoutside tension throughout the novel and tends toward these memorable descriptions of sights sounds smells and sensations of touch It's a palpable readLummox is also notable for portraying both the idle rich and the working poor with fair depth and a kind of a knowing variety I liked that the class struggle aspect of the novel complemented the story's emotional force without overwhelming it and vice versaAgain the plotting has some flaws but the plot arc isn't really the reason to read Lummox This is a case of a now almost forgotten popular novel that is well flecked with literary merit and definitely worthy of having a wide audience again

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Tells the story of Bertha a young immigrant woman who cleans the homes of the rich and is largely ignored by them except for a young poet who considers her a museLummox Fannie Hurst's second novel was written from the perspective of one of society's throwaways a hardscrabble servant named Bertha whose labor keeps her employers well housed and well fed although she earns only condescension humiliation sexual assault This book is a classic by a classic author and I bet you have never read it A clumsy larger woman again working as a maid her inner emotions Found this among the heavenly dusty old stacks up three floors at the massive Cleveland Public Library downtown Cleveland on Superior Ave in 1990 I THINK THEY STILL HAVE THE 'STACKS' I AND DREW CAREY AS WELL LOVED THIS LIBRARY 'BACK IN THE DAY' AND THE INTERNET GENERATION IS REALLY MISSING OUT PLEASE VISIT THE FICTION BOOK STACKS DOWNTOWN AT 325 SUPERIOR AVE IN CLEVELAND AND HAVE THE EXPERIENCE OF A LIFETIME Droit musulman. Des successions. Du statut personnel et des successions - Tome 2: d'après les différents rites et plus particulièrement d'après le rite hanafite poet who considers her a museLummox Fannie Hurst's second novel was written from the Droit musulman : du statut personnel et des successions d'après les différents rites Tome 1 perspective of one of society's throwaways a hardscrabble servant named Bertha whose labor keeps her employers well housed and well fed although she earns only condescension humiliation sexual assault This book is a classic by a classic author and I bet you have never read it A clumsy larger woman again working as a maid her inner emotions Found this among the heavenly dusty old stacks up three floors at the massive Cleveland Public Library downtown Cleveland on Superior Ave in 1990 I THINK THEY STILL HAVE THE 'STACKS' I AND DREW CAREY AS WELL LOVED THIS LIBRARY 'BACK IN THE DAY' AND THE INTERNET GENERATION IS REALLY MISSING OUT PLEASE VISIT THE FICTION BOOK STACKS DOWNTOWN AT 325 SUPERIOR AVE IN CLEVELAND AND HAVE THE EXPERIENCE OF A LIFETIME

Fannie Hurst õ 9 read & download

And a bare bones wageFannie Hurst October 19 1885 – February 23 1968 was an American novelist and short story writer whose works were highly popular during the post World War I era Her work combined sentimental romantic themes with social issues of the day such as women's rights and race relations She was one of the most widely read woman authors of the 20th century and for a time in the 1920s was one of the highest 35 StarsThis novel introduces readers to Bertha a domestic servant working for wealthy New York families right around the turn of the 20th century Bertha is a large woman 5'10 and stocky in build plain in the looks department Hefty washerwoman type Her no frills blue collar look and uiet nature lead many of her employers over the years to deem her a lummox a term once used to describe someone who seems stupid dim witted One family matriarch who employs Bertha describes her as a great serene peasant girl with that slow kind of strength that makes an invaluable servantHer ethnicity is uestioned by many is she Slavic Scandanavian Dutch Polish No one around to clear up the matter Orphaned at a young age Bertha is raised by Annie crass sour natured landlady of an NYC lodging house for sailors and the only person to witness Bertha's birthHurst's novel follows Bertha over the course of her life as she finds work cooking for several upper class families around the Manhattan area of NYC the first being the Farleys During this first job Bertha develops a bit of a crush on her employer's 25 year old poet son Rollo Farley Close to him in age Bertha is taken with Rollo's creative spirit the air of mystery and seriousness he carries around him Rollo is also uite fond of alcohol as well though and one night after strongly imbibing takes certain liberties with kind hearted naive Bertha A situation develops that forces Bertha to leave her position with the Farleys but not before she discovers that her experience with Rollo might have been inspiration for the epic poem he writes that later proves to be his literary legacy We follow Bertha over the years as she moves from one elite household to another repeatedly being dismissed for various reasons each time finding she has to return to the home of Annie for a bit while waiting for the next job to turn up Annie always grudgingly takes her in but not without a bit of nagging and slut shaming Eventually Bertha attempts to hold down her own place with a roommate but again Bertha's innocent nature leads her into dangerous territory unknowingly putting her in the path of a woman batterer NOTE For those who are triggered by scenes of violence be warned there are some difficult scenes in this novel in which Bertha has hands slammed in windows her face burned with a fire iron and a man who emotionally tortures her standing over her while she sleeps waiting for her to wake up just so he can terrify her for laughs Bertha's story of being worked hard and taken advantage of is the uiet insidious kind The abuse is not always blatantly evident but as the story progresses the reader begins to see evidence of the trauma in Bertha's day to day health and actions It's heartbreaking to see her this woman full of kind intent and honest work ethic be treated like such a doormat Her employers or just the people around her in general either don't feel the need to take her feelings personal needs into consideration OR they tease her for having a bit of a dreamer spirit She was just their simple worker bee In moments of solitary silent reflection Bertha reveals to the reader that she is not so simple as people assume that she actually feels uite deeply but is sometimes consumed with this sense of being trapped consumed by feelings of uncertainty in herself her talents or how to better her overall life conditions Just surviving day to day seems to overrule any aspirational flights of fancy Hard as female readers will likely find it to read of this woman being walked all over for simply living an honest life there is something to admire in Bertha Maybe her sheer tenacity and devotion to helping where she can as best she can Impressively author Fannie Hurst leaves the reader pondering who the story's true lummox is after allA couple things about the format of the book that I found worth mentioning 1 there are no standard designated chapter breaks only a little galleon looking ship icon to divide scene changes 2 There are a few points in the story where the POV oddly turns from third person to second person whenever the reader is let in on Bertha's inner dialogue Not sure why Hurst did this I personally found it jarring and unnecessary but thought I would note it as a heads up for future readers

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